Wednesday, May 6, 2020

OPERAWISE: Singspiel

In this series of podcasts, Seattle Opera Dramaturg Jonathan Dean gives listeners a taste of nine different types of traditional opera. Singspiel (that’s German for SongPlay) mixes songs, dialogues, choruses, and marvelous orchestral writing with fun and fantasy for a lowbrow, family friendly art form—the ancestor of today’s Star Wars movies. Mozart’s ever-popular Magic Flute is the perfect introduction to Singspiel, as well as one of the most beloved operas ever written. Another wonderful Singspiel, Weber’s Der Freischütz, demonstrates the power of this form to send a wonderfully creepy chill down your spine.

Musical examples on the podcast include:
  • •Celebratory chorus from Hans Heiling, Slovak Philharmonic Orchestra and Chorus conducted by Ewald Körner (Marco Polo 1992)
  • •“Der Vogelfänger bin ich ja” from Die Zauberflöte; John Moore and Seattle Opera orchestra conducted by Julia Jones, 2017
  • •Hunters’ Chorus from Der Freischütz; Seattle Opera chorus and orchestra conducted by Gerard Schwarz, 1999
  • •Melodrama from Fidelio, Jane Eaglen and Kevin Langan, Seattle Opera orchestra conducted by Gerard Schwarz, 2003
  • •A line of Papageno’s from Die Zauberflöte, John Moore and Seattle Opera orchestra conducted by Julia Jones, 2017
  • •Act 1 Finale from Die Zauberflöte, Andrew Stenson and Seattle Opera orchestra conducted by Julia Jones, 2017
  • •Act 2 Finale from Die Zauberflöte , Seattle Opera orchestra conducted by Julia Jones, 2017
  • •“Der Hölle Rache” from Die Zauberflöte, Christina Poulitsi and Seattle Opera orchestra conducted by Julia Jones, 2017
  • •“O Isis” Chorus from Die Zauberflöte Seattle Opera chorus and orchestra conducted by Julia Jones, 2017
  • •Opening duet from Fidelio, Lucia Popp, Adolf Dallapozza, and Vienna Philharmonic conducted by Leonard Bernstein (Deutsche Gramophon, 1978)
  • •“O namenlose Freude” from Fidelio, Gundula Janowitz, René Kollo, and Vienna Philharmonic conducted by Leonard Bernstein (Deutsche Gramophon, 1978)
  • •Cat duet from Der Stein der Weisen, Jane Giering-De Haan, Kevin Deas, and Boston Baroque conducted by Martin Pearlman (Telarc, 1999)
  • •Wolf’s Glen Scene from Der Freischütz, Harry Peters, Gabor Andrasy, and the chorus and orchestra of Seattle Opera conducted by Gerard Schwarz, 1999
  • •Overture from Der fliegende Holländer, orchestra of Seattle Opera conducted by Sebastian Lang-Lessing, 2016
  • •Dance of the Apprentices from Die Meistersinger von Nürnberg , forces of the Bavarian State Opera conducted by Wolfgang Sawallisch (EMI Classics, 1993)
Stay tuned for one more podcast introducing another kind of opera next week!

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