Honoring the memory of Dallas Duell

The Seattle Opera community is grieving and honoring the memory of Dallas Duell (1952–2020), our former Assistant Stage Carpenter, who passed away this September. Dallas retired from Seattle Opera after 31 years with the company last year. A treasured member of our community, Dallas was the creator of magic flutes, dragon tails, sacrificial goats, and fine-tuner of the mechanical Lohengrin swan. For years, he built and created scenery for Seattle Opera, and kept everyone safe on the stage. 

“We Love the Things We Love for What They Are.” 

—Robert Frost

Dallas James Duell, loving husband and father, passed away on September 18, 2020 in Harwich Port, Massachusetts after a brief and brutal encounter with stage 4 lung cancer. In hospice care, he was surrounded by extended family. His wife Christine Johnson-Duell and daughter Abigail Duell were with him when he passed.

Opera production during the pandemic

During non-pandemic times, Doug Provost manages carpentry, sound, lighting, projections, hair & makeup, the costume shop, and more at Seattle Opera. As Director of Production, he supervises the creation of new shows, and productions that we create with other companies. COVID-19 shutdowns have forced the opera industry to adapt in order to survive, and Provost has risen to the challenge with gusto. We sat down with Doug—masked, and from more than 6 feet away, of course!—to learn more about how his role at Seattle Opera has changed in the last six months.  

Since COVID-19 shutdowns hit in March, what have been the biggest changes for you? What are the challenges and what have been the opportunities? 
My primary role as the Director of Production is still the same. Unfortunately, with cancelled performances and the reduction in our core staff, the remaining team and I have taken on additional roles and responsibilities left behind from our furloughed colleagues. I am really proud of my team and how they have navigated the new work dynamics. Despite the painful challenges that the company has faced, our team has had a can-do attitude, and demonstrated amazing work flexibility, and a willingness to take on jobs that have been out of scope to help advance our company and our art. We are approaching this new normal akin to playing a Super Mario game. We are navigating situations and obstacles which are in constant motion; a continual state of flux. This has resulted in a mindset of constant learning and a stretching of our abilities. Getting hit by a new obstacle isn’t viewed as “failing,” but more as an opportunity to learn, adjust, and grow. This has totally changed our work culture for the better. We’re in it to win it. I am so proud of our team.

An inside look at Cavalleria rusticana

The townspeople in Seattle Opera's last Cavalleria Rusticana ('90). Photo by Matthew McVay.

Seattle Opera opens its Fall Season with a recital featuring the highlights of Mascagni's opera Cavalleria rusticana—“Rustic Chivalry” in Italian, or more euphemistically translated to English as “Country Manners.” Cavalleria allowed city dwellers in northern Italy to daydream about how their rural counterparts lived via the story of a little village in faraway Sicily.  "Set in a Sicilian idyll, Cavalleria rusticana is a tale of frustrated love, betrayal and jealousy—with one of the most beautiful intermezzos ever written," writes Rupert Millar for The Drinks Business magazine. "Nineteenth-century Sicily is a place of rough justice, where wine mixes with blood feuds and violence. The beauty of the surroundings belies a strict, extremely conservative society beholden to codes of honor and chivalry, where death is the only penalty for dishonor or disgrace—the 'rustic chivalry' of the title."  

Learn more about Cavalleria rusticana which was composed by Pietro Mascagni, with libretto by Giovanni Targioni-Tozzetti and Guido Menasci, below.

Watch Crescendo for Racial Justice In Opera

From left: Alejandra Valarino Boyer, Naomi André, Matthew Ozawa, Kazem Abdullah, and J'Nai Bridges.

Black Lives Matter! And right now, amid COVID-19 shutdowns, the opera world has an opportunity to make systemic changes toward justice. In Seattle Opera’s August 2020 Community Conversation, Black and PoC opera professionals reflected on this pivotal moment in history. How can opera reemerge as a space of belonging, healing, and liberation for communities of color? Watch the discussion to learn more.  

Many thanks to all who tuned in to our Crescendo for Racial Justice in Opera panel. The video is now available to view at seattleopera.org/crescendo. Moderated by Seattle Opera’s own Alejandra Valarino Boyer, Director of Programs & Partnerships (Moderator), we were honored to be joined by Naomi André (professor at the University of Michigan and Seattle Opera Scholar in Residence), Matthew Ozawa (Opera Stage Director), Kazem Abdullah, (Conductor), and J'Nai Bridges (Mezzo-Soprano). 

Below, check out some of the answers to questions we weren’t able to get to during the discussion. Questions were submitted by different viewers via Zoom during the live, online event. Answers are based on the broader discussion, as synthesized by Alejandra Valarino Boyer. (Outside of her work with Seattle Opera, Valarino Boyer is also the creator of BIPOC Arts, a database which highlights Black, Indigenous, and PoC opera professionals).

If you have further comments or questions, email gabrielle.gainor@seattleopera.org.

Seattle Opera Unveils Virtual Fall Season

Ariadne auf Naxos ('15). Elise Bakketun photo

Everyone can enjoy opera with free online recitals, classes, and programming 

Like all arts and cultural groups this year, Seattle Opera has faced the pain of cancelled performances and setbacks due to COVID-19. And yet, the company is ramping up efforts to make the arts more accessible, finding new opportunities to bring music, storytelling, and performance for all during the global pandemic. As Songs of Summer, a free, 15-performance recital series concludes this week, Seattle Opera unveils its Fall Season. With a variety of free performances and programming to enjoy at home, the Fall Season was created with both artistic innovation—and public safety—in mind, said General Director Christina Scheppelmann.

“We hope to entertain you, bring you quality singing and music to lift your spirits,” Scheppelmann said. “It’s disappointing that we cannot offer productions the way we had promised in January. However, ceasing to present opera was not an option. Seattle Opera deeply values creating and sharing art that heals and entertains. So, we’re not closing our doors; we’re producing new musical experiences for you that employ artists safely.”

Seattle Opera presents Creation Lab

Sean Airhart photo

Seattle Opera cultivates musical storytelling in Washington State; Creation Lab brings diverse new stories to opera 

Seattle Opera is announcing a new initiative to help cultivate and develop the next generation of opera composers and librettists in Washington State. Creation Lab seeks 16 emerging composers and writers of all genres to give way to the creation of short operatic pieces, which will be performed during the 2020/21 Season.

General Director Christina Scheppelmann says new operas are crucial to amplifying Seattle Opera’s impact locally and nationally.

“Creation Lab will help to bring diverse stories and perspectives to our art form, and to the operatic repertoire at large,” Scheppelmann said. “We’re looking for young musical artists in our region who want to gain experience in creating compelling, resonant narratives told through music and singing. A specific opera background is not required.”

Crescendo for Racial Justice in Opera

Mary Elizabeth Williams (Tosca). Elise Bakketun photo

Seattle Opera presents online discussion ‘Crescendo for Racial Justice in Opera’ from noon-1:30 p.m. August 19, 2020. Online webinar via Zoom 

The global pandemic has created a setback for arts groups across the Pacific Northwest. But despite challenges, Seattle Opera is using this moment as an opportunity to create equity in their art form through its next Community Conversation: Crescendo for Racial Justice in Opera. Black, Asian, and Latinx opera professionals will come together to reflect on this moment in time, and envision a future for this 400-year-old art form which—while beloved all over the world—often contains dated or racist stereotypes. Can great works of the operatic canon like Madame Butterfly, Tosca, and Aida be vessels of liberation and representation for People of Color? How should opera change in the wake of COVID-19 shutdowns and the Black Lives Matter protests? Speakers will explore these question and more on August 19.

Seattle Opera's Pop-up Blood Drive

The Opera Center. Photo by Sean Airhart

Donate blood, support community at Seattle Opera’s pop-up blood drive, a collaboration with Bloodworks Northwest: 9 a.m.–5 p.m., August 18, 20, 25 & 27 at The Opera Center: 363 Mercer St. 

As summer historically signals a dip in the blood supply, Seattle Opera is offering a blood drive to provide a lifeline for local patients. In partnership with Bloodworks Northwest, Seattle Opera will utilize its Tagney Jones Hall at the Opera Center to host a pop-up center for donating blood this August 2020.

During the global pandemic, social distancing recommendations have put a strain on opportunities for people to donate blood. In the temporary absence of traditional blood drives and bloodmobiles, Seattle Opera, along with other arts groups such as Seattle Rep, are providing short-term donation locations for Bloodworks Northwest. The larger space allows for a higher level of safety for donors and staff.

“Seattle Opera is honored and happy to join others from the arts community in hosting a donation site for Bloodworks Northwest,” says Seattle Opera General Director Christina Scheppelmann. “Partnerships with community organizations are a key part of our vision for the Opera Center, the civic home that we share with KING FM. As we all actively work together to fight the global pandemic, giving blood is an important and crucial way to take care of our community and contribute to healthcare readiness.”

In addition to saving lives, donors at the Opera Center will receive tickets to a future event at either the Opera Center or McCaw Hall—or enjoy a free video stream through December of 2021. Donors will also receive a Dick’s Drive-In gift certificate.

Donors of all blood types are still needed every day to make an appointment to give blood in support of cancer patients, trauma victims, premature babies, or to treat severely ill COVID-19 patients, among others.

“A strong blood supply is vital to critically ill and injured patients in our community,” said Bloodworks Northwest President and CEO Curt Bailey. “Blood donations are down at a time when the need has never been greater. Seattle Opera is turning that around by graciously opening its doors to allow an ovation worthy 365 community members to save lives in August.”

First-time and repeat donors are urged to make their one-hour donation appointment today as a safe and essential action to support local patients. In accordance with current social distancing guidelines, only scheduled appointments will be allowed. No walk-ins, guests, or people under age 16 are permitted on site. Donors are asked to bring a mask/face covering to their donation. All blood types are urgently needed, but Type O is especially in demand.

For more information and to sign up, go to seattleopera.org/bloodworks.

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Mary Elizabeth Williams to perform in 'Songs of Summer'

Mary Elizabeth Williams (Abigaille). Philip Newton photo 

Seattle Opera announces upcoming KING FM broadcasts and online recitals 

Seattle Opera is announcing the final singers to perform in its online recital series, Songs of Summer. Artists include beloved soprano Mary Elizabeth Williams—star of Tosca, Nabucco, and Mary Stuart. The “vocal phenomenon and immense actress” (classiquenews.com) performed at McCaw Hall most recently as Serena in Porgy and Bess (’18), when she sang the show-stopping rendition of “My Man’s Gone Now.” For Williams’ portrayal of Elizabeth I in Mary Stuart, The Seattle Times wrote: “Feisty and mighty, Williams’ soprano was equally impressive when she lightened it in moments of highly effective refinement. She knows how to command the stage and how to establish the power of her personality through gesture and movement, as well as with her voice.”

Scheduled to stream on Seattle Opera’s Facebook, YouTube, and website on August 27, Williams’ program includes three new-to-her arias that she’s always dreamed of debuting.

“Despite the fear and uncertainty of this moment, creating this recital has helped me focus and remember why I dedicated my life to music,” Williams said. “What better time is there than this very moment to look forward to the future? To be brave and reinvent myself as an artist? Share this journey with me—digitally for now, and hopefully in person in the very near future."

Seattle Opera launches Supply Drive

Soprano Tess Altiveros and Elisabeth Ellis will perform for Seattle Opera's inagural Community Serenade at Plymouth Place.

UPDATE 7/17/20: Due to Gov. Jay Inslee's recent live entertainment ban to help stop the spread of COVID-19, the Community Serenades performances are postponed until further notice. The Seattle Opera Supply Drive planned for July 21-22 will continue, however. Information on how to donate can be found below.  

Seattle Opera is launching a new performance series meant to bring joy to vulnerable community members. Community Serenades will bring an opera singer and pianist to perform in various settings for seniors and people experiencing homelessness. The artists will maintain a recommended distance and practice safety protocols, while residents listen from the safety of their homes/rooms or in large outdoor spaces.