Tuesday, May 24, 2022

A CONVERSATION WITH MEZZO-SOPRANO J’NAI BRIDGES

Photo by Todd Rosenberg
J’Nai Bridges is among the world’s leading mezzo-sopranos performing today. She has been heralded and praised by critics at The New York Times and Los Angeles Times, to name only a few. J’Nai is a principal cast member of the 2022 Grammy Award-winning recording of Philip Glass’s Akhnaten produced by The Metropolitan Opera. In this conversation with Seattle Opera, J’Nai talks about growing up in Lakewood, WA, a suburb of Tacoma; her love of basketball; and returning home to perform in our concert production of Samson and Delilah.

Friday, May 6, 2022

Black Opera

The Afro Future

By Naomi André, Ph.D.

In 2017, Opera Philadelphia presented We Shall Not Be Moved, a new work by composer Daniel Bernard Roumain and librettist Marc Bamuthi Joseph. The opera follows five North Philadelphia teens as they find refuge at the headquarters of the MOVE organization, where a 1985 standoff with police infamously ended with a neighborhood destroyed and 11 people dead.

In her final essay of this three-part series, Seattle Opera Scholar-in-Residence Naomi André speculates about the future of Black Opera. Using the lens of Afrofuturism—a cultural aesthetic that combines science-fiction, history, and fantasy to explore the African American experience and aims to connect those from the Black diaspora with their forgotten African ancestry—André charts one path forward. In this essay, she uses historic events, music, and the writings of Octavia E. Butler to point the way.

Naomi André is a professor in the University of Michigan, where her teaching and research focus on opera and issues surrounding gender, voice, and race. Her writings include topics on Italian opera, Schoenberg, women composers, and teaching opera in prisons. Her publications include Black Opera: History, Power, Engagement and African Performance Arts and Political Acts (2021), which she co-edited. She has served as Seattle Opera’s Scholar-in-Residence since 2019.