
The image, which Zetlan has taped to the back of her Amelia score, is a photo of Earhart in her plane cockpit in December 1930, donning her classic aviator cap, goggles, and leather jacket.
“She is looking towards the sky, with a beautiful combination of joy and moxy,” Zetlan said. “Anytime I feel I am not quite ‘there,’ I flip to the back of my score and look at this photo. I feel it tells me who she is.”
When we first meet the Flier, she appears in her airplane above Young Amelia’s bedroom. As Amelia’s mother, separated in time from her father, learns of his disappearance, the Flier sings some of the actual words from Earhart’s final transmission before she disappeared. “It’s a fantastic juxtaposition of missing-in-action characters,” Zetlan said. “The music is searing, especially in combination with what is happening below.”

Composer Daron Hagen’s music is part of what Zetlan loves about her role. Although Hagen tailored some of the music specifically to those who will perform in the world premiere, “Daron had not heard me sing when he wrote this role,” Zetlan says, “but I could swear it was written just for me. It fits like a glove.”
Interestingly, despite her character’s affinity for flight, Zetlan has always had a terrible fear of flying. As an opera singer, traveling is unavoidable, so her constant flights around the world help her deal with her fears, and so might Amelia. “I keep saying that with this opera and the repeated rehearsals of the crashing of a tiny plane…it will either get much better or I’ll be taking the train to my next destination!”
Photos: Jennifer Zetlan; Ann Hould-Ward's costume design sketch for the Flier.
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